Thursday, December 29, 2005

scratch fiction topic tag 2: [see image below]

because azuremonkey told me to post another one.

the second scratch fiction topic tag is:


this time I've done my part first. (12/28)
bones hits just a few minutes after I do. T&A mudflaps. Stylin'. (12/28)
and deem is playing along with us this time. Did Ann Margaret settle? Hell no, not on your life. (12/28)
jenn brings us a visual expansion on the topic (12/29)


chemical billy brings us a true story. true as anything, anyway. way to go, Ed. (12/30)
mysfit steps up, with a story where cement is not quite real. (1/3)
azuremonkey wrote about this last month, but didn't -tell- us. anyway, better late than never. and fuck yeah, Jäger. (12/30)

scratch fiction topic tag: things found between couch cushions

so, there's a half-dozen of us now (azure monkey, bones, chemical billy, mysfit, psychedelicate girl, and me), so I figured it was time to give this a try. plus, anyone can play along, so even those of you who are only sporadic fiction-writers (Anne? Jenn? Dee?) should contribute if you feel thusly moved.

the topic, decided by dumping my tea leaves over my keyboard, determining which keys jammed, and then making an anagram out of them, is:

things found between couch cushions

azuremonkey is first! speedy monkey. "The plants are just the beginning." (12/8)
bones is on it. "Shaving wasn't even under discussion." (12/9)
mine, lest I be thought a hypocrite for not writing on my own topic. (12/11)
it's tea-time with mysfit. Miles and miles and miles... (12/13)
azuremonkey can't be stopped. "She’d seemed nice enough when she picked him up in front of the supermarket..." (12/14)
mysfit can't be stopped, either. T! F! B! C! C! (12/24)
jenn was moved, however obliquely, to dig up an old poem about david bowie and mars, because, well, why the hell not? this is the internet, after all. it's in couplets, no less.(12/28)
chemical billy gives us her take. "Fuck, was that flowers?" (12/29)

Wednesday, December 28, 2005

mud flap girl

looks like I'm going to have to get this started.

"I was just thinkin', you know." Quentin leaned over his chili dog and poked at it with a french fry.

"Thinkin'?" Rusty was shaking a packet of sugar, shaking it to put in his coffee, only he kept shaking it, like a rattle, whackwhackwhackwhackwhackwhackwhack.

"I was just thinkin', you know, I been driving this rig going on six months now, and I thought maybe I was ready to get me some of them mud flaps."

"You mean like them Yosemite Sam mud flaps?"

"No, man, you know what I mean."

"They got mud flaps in the boutique there. Pretty ones for a city boy like you."

"Not the ones I want."

Rusty slowed the agitation of the sugar packet. Whack. Whack. Whack. "What are you saying?"

"I always figured they must sell 'em everywhere, you know, back when I worked at the warehouse. I was always seeing them. But now I got my own rig, I been looking for them all over, you know, and I ain't seen a single pair."

The sugar packet fell to the table unopened. "You asking a question like that, you got to ask it. You can't hint about something like that. You... Hey!" Rusty smacked the table.

Quentin looked up from his fries.

"You look me in the eyes when you ask me a question like that."

The fry in Quentin's hands suddenly felt cold and greasy; he dropped it, and wiped his fingers on the slick vinyl seat. "I want a pair of them girly mud-flaps. Silver maybe. Maybe copper."

"Copper?"

"Okay, silver."

"You think they just sell those to anybody?"

"I don't know. That's why I asked."

"She's got a name, you know."

"The girl?"

"'Course she does."

"What is it?"

Rusty scrunched up his moustache, his bushy eyebrows folding in as he looked real hard at Quentin. "You want a pair of them flaps, I think the least thing you better do is find out what her name is."

"How am I supposed to do that?"

"Come back to me when you done it, then we'll talk about how you get started." Rusty stood up, coffee untouched. "I better get going."

"I didn't mean nothing, I just--"

"Don't tell me that. Don't tell me you didn't mean nothing. Because you better mean something, if you want the flaps. It ain't going to be easy, and it ain't going to be quick, and they don't sell them at no mall."

Rusty pivoted sharply, his slouched shoulders and stained cap marching sharp and determined for the door. "I'll be back here in three weeks. If you mean something, you better be here, too." A gust of wind held the door open behind him for a moment, then sucked it shut again with a bang that rattled the plates on the tables.

Monday, December 19, 2005

monkey 0 on stage and in print

live scratch fiction... they'll be doing a staged reading of one of my short plays at Playground tonight (12/19) at the Berkeley Rep. Playground is a bay area outfit that helps new playwrights get their work staged by real directors and actors; it's not terribly un-like the scratch-fiction of drama, really, because they give you a random topic and just four days to write on it, and then you submit your play and they read all the submissions and pick a half-dozen to perform. this is the first time they've picked one of my pieces, so I'm happy as a termite in mahogany.

also, Things That Are True printed another of my stories in their last issue. the issue is Hills, the story is "It's Always Christmas in Oakland," and if you pick up the issue, you can also read "Raimondo the King" by our very own Chemical Billy.

Sunday, December 11, 2005

the love of furniture is better than no love at all

[this is my contribution to the discussion of things found between couch cushions.]

It was a particularly awful day, in that it's awfulness was so un-particular; that is to say, Derek's day was awful in the precise ways it was always awful: so awful, and so precise, that it brought the full cumulative weight of the everyday awfulness home with such force that he was flattened on his couch as if dropped from a great height.

It was his nose, poking by chance between two cushions, that felt the corner of the folded note. He rose up on his elbows (and there the similarity between him and someone who had been dropped from a great height ended, for he rose with some dispatch and interest, and his organs had not been liquefied from the impact).

"I love you," said the note. It was written on yellow paper, unlined, in a careful script that seemed, somehow, to be a woman's hand. Perhaps it was the meticulously rounded period at the end of the sentence--there was care taken there. It was not merely a jab of the pen.

But, who? Who was loved? Who was the lover? Someone must've sat upon his couch, and lost the note. But, then, Derek could not remember the last person who had sat upon his couch. Except for his mother. And his mother was as uncapable of love as she was unfit to be loved; that she might have either written the note, or been the recipient of it, was unthinkable. The only possible way she might've interacted with it would've been to hide it there if she had thought it might have been meant for him, and she had felt there was a danger of it giving him some small pleasure.

But there, that was the thought, was it for him?

He thrust his hand back between the cushions, slightly gritty with whatever that grit is that forms between couch cushions.

There was another slip of folded paper; he pulled it out. "Yes, of course I'm talking to you, stupid. I love you."

Derek sat back and tried to run a hand through his hair but he hadn't any hair because he'd shaved it off because he'd felt he had to do something to atone for losing the Pratt-Wellsley-Fitcher account. Him? Who would love him? His couch? Did his couch love him?

He groped once more into the seam, but there was nothing there but some extremely old and fragile popcorn. He followed the space between the pillows back to the back of the couch, where his fingers touched paper.

"Of course I'm not the couch. Since when does furniture fall in love?"

"Since when do humans?" Derek asked aloud. If the couch was speaking to him--or someone speaking to him through the couch--he might as well speak back.

He yanked the cushion up, and when he tossed it into the corner of the room, another slip of paper came unstuck from the bottom where it had been glued on with decomposing candy. But this one was blue, and the handwriting was a little rushed, as if she were in some slight distress. "But we can never be together."

"Why not?" he asked. He flipped the note over.

"Isn't it obvious?" The note said on the back.

"Not even remotely," he said.

He reached quickly along the seam of the couch where the seat met the arm. No note. Along the back. No note. Was he alone again? He pulled up the middle cushion--there. Dark blue paper this time.

"I miss you already," it said. "I miss your touch. Your breath on my neck."

"But I don't even know who you are." He was careful to respond before flipping the note, so when he checked the other side he could see the answer:

"But it could have been like that. It would have been. Except..." And there they were, three little dots on the paper, trailing to nothing.

"Except what?" He snatched up the last cushion. "Damn it" Nothing. He groped under the edge. Nothing. "Come on. Who are you?"

He jumped off the couch and yanked it away from the wall, knocking an end table and sending magazines sliding across the floor. Dust-ringed divots in the carpet marked where the feet had been, but no notes. He threw himself to the floor and reached under, his hand finding springs stretched over canvas, and finally--a note.

This one was plain white paper, a little curled at the edge, as if it had been wet, then dried.

"Good-bye," it said. "We were fools. It was never possible, except in our dreams." The note was signed with a single letter, but the letter had been hit with a drop of water, and blurred into a streaked black smudge trailing down the page.

Derek sat between the wall and his couch and stared at the note.

This, at least, was awful in an entirely new way.

Monday, December 05, 2005

paper trail

J. Cole Gordon had been the archivist for less that a fortnight when he first noticed the signs.

His desk, the only desk on the second sub-basement of the Pratt-Wellsley-Fitcher Building, was located by the elevator, in a pool of yellow light cast by a single sconce on the wall above a bank of file cabinets that stretched off into the darkness.

That morning, Mr. Gordon had received three file boxes to be interred in the stately halls of their forefathers, and had loaded them onto the four-wheeled cart which served him as Charon's ferry. The cart was fitted with a pair of small electric head-lamps that were powered by the movement of the wheels.

Mr. Gordon made his squeaking progress into the musty confines of the archives, glimpsing the faded white tags on the aisles as the light from the lamps passed over them. Ah-Al. Al-Am. Am-Ao. Tall shelves full of boxes and bundles of documents rose up on either side of him, densely labeled and packed to the ceiling. The smell of dust and paper was the smell of Elysium, for had not documents souls? Or, if not souls, then some animus, given them by men, which must linger, if not forever, then at least for a time, in the catacombs of the second sub-basement of the Pratt-Wellsley-Fitcher Building.

The shock at the chaos he discovered in Ch-Ct was, accordingly, as much spiritual as professional and aesthetic. Something had savaged three whole boxes of files. The sacred trust of the archivist had been violated, and the deserved rest of hundreds of documents had been cut irrevocably and profanely short. Mr. Gordon stared at the swirls of spilled papers, ragged ends that had been torn (with teeth?) and trampled with a malice that bespoke an intention to defile. The light from his cart slowly faded, then disappeared entirely, darkness hiding the sight, but not the memory, or the scent--there was a pungency in the air, a spiciness, a smell of sweat and pepper.

Mr. Gordon returned to his desk and summoned Mr. Ralston, the custodian and night watchman, and the only other human who stepped off the lift in the second sub-basement. Mr. Ralston accompanied him as far as the edge of the archives themselves, but then he stopped, and shined his powerful flashlight into the darkness.

"I'm telling you," Mr. Gordon said, "It was something enormous."

"Rats," Mr. Ralston said.

"Not rats."

"Well, what then?"

"Whatever did it, I tell you, it--"

"Maybe just some interns down here. You know, playing around."

"I tell you, this was no innocent accident, or prank. Whatever did this hates... documents. Hates paper. Does not wish to see it at rest." Mr. Gordon thought of the chug of one of those ghastly electronic paper shredders. "Perhaps it was one of those boys who work the computers. They prefer their shivery electric screens and their hedge-wizardry, and if they had their way there would be no paper left in this world except for the paper they wrap their loathsome burgers in."

"Well, you know--"

"Was it them, do you think?"

"Did they tell you about Mr. Vernon?"

"Who?"

"Your predecessor."

Mr. Gordon looked to the dark rows of his archives, and listened to the silence that hung fragile in the air, like a crystal vase on the edge of a table. "I was told he retired."

"They say one day he never came in to work." Mr. Ralston adjusted the navy blue collar of his work shirt. "But you know what I always thought?"

"What?"

"I always thought, one day he never left."

Somewhere far off in the darkness, Mr. Gordon thought he heard the sound of bare feet padding quickly over concrete.